VOLUME! The French journal of popular music studies (VOLUME! La revue des musiques populaires)
Arranging the World Works – Authors and Rights: Musics and Dances in Globalization (Composer avec le monde – Œuvres, auteurs et droits en tension: musiques et danses dans la globalisation)
http://volume.revues.org/
Uroš Čvoro, University of New South Wales, Australia
Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia (2014)
Turbo-folk music is the most controversial form of popular culture in the new states of former Yugoslavia. Theoretically ambitious and innovative, this book is a new account of popular music that has been at the centre of national, political and cultural debates for over two decades. Beginning with 1970s Socialist Yugoslavia, Uroš Čvoro explores the cultural and political paradoxes of turbo-folk: described as ‘backward’ music, whose misogynist and Serb nationalist iconography represents a threat to cosmopolitanism, turbo-folk’s iconography is also perceived as a ‘genuinely Balkan’ form of resistance to the threat of neo-liberalism. Taking as its starting point turbo-folk’s popularity across national borders, Čvoro analyses key songs and performers in Serbia, Slovenia and Croatia. The book also examines the effects of turbo on the broader cultural sphere – including art, film, sculpture and architecture – twenty years after its inception and popularization. What is proposed is a new way of reading the relationship of contemporary popular music to processes of cultural, political and social change – and a new understanding of how fundamental turbo-folk is to the recent history of former Yugoslavia and its successor states.
http://ashgate.com/default.aspx?page=637&calcTitle=1&pageSubject=310&title_id=20098&edition_id=1209350583
Zlatko Jovanovic
All Yugoslavia Is Dancing Rock and Roll: Yugoslavness and the Sense of Community in the 1980s Yu-Rock (2013, PhD thesis)
Click to access Ph.d._2014_Jovanovic.pdf
Ivan Kovačević i Marija Ristivojević ur. (2013)
ANTROPOLOGIJA MUZIKE – NOVA SRPSKA ANTROPOLOGIJA
http://www.anthroserbia.org/Content/PDF/Publications/0f04375562de4671a7be76e2b99fb7ee.pdf
Mitja Velikonja
Rock’n’retro: Novi jugoslavizem v sodobni slovenski popularni glasbi (2013)
V slovenski ideološki krajini glede Jugoslavije vlada ambivalenten odnos, razpet med jugofobijo in jugofilijo. Medtem ko je bil prevladujoči politični diskurz bodisi izrazito negativno jugoslavističen bodisi je to poglavje sramežljivo ignoriral in potlačil, je v vsakdanjem življenju in popularni kulturi jugoslovanskost na nekaterih področjih ostajala živa in priljubljena, na primer pri hrani, na nekaterih drugih področjih pa lahko opazimo postopno odpiranje jugoslovanskosti, ki se je začelo že nekaj let po osamosvojitvi. Tako negativni jugoslavizem ne vpliva na množično počitnikovanje na Hrvaškem, potovanja drugod po Jugoslaviji in priljubljenost tamkajšnjih žurerskih destinacij. Podobno se je z velikim uspehom knjige Gorana Vojnovića Čefurji raus! (2008), ki je prejela nagrado kresnik, zgodilo celo v književnosti, torej na področju, kjer je slovenski kulturniški nacionalizem najgloblje ugnezden.
Knjiga Rock’n’retro obravnava odpiranje jugoslovanskega in socialističnega poglavja slovenske zgodovine v novi popularni glasbi, ki se je začelo pojavljati nekaj let po osamosvojitvi, še posebej pa se je razširilo v zadnjih letih. Mitja Velikonja skuša med drugim podati odgovor na vprašanje, kakšne so konkretne politične implikacije teh reprezentacij nekdanje države.
Knjiga vsebuje tudi angleški prevod, tiskan v obratni smeri:
Rock’n’Retro: New Yugoslavism in Contemporary Popular Music in Slovenia. Knjigo je v angleščino prevedla Olga Vuković.
Zbirka: Naprej! /
252 strani, mehka vezava, 352 g
Format: 21 x 14
Področja: Komunikologija | Kulturologija | Sociologija
ISBN: 9789616768566
Trans-Yu-Formator 