Zbornik Sounds of Attraction: Yugoslav and Post-Yugoslav Popular Music
Marca je izšel zbornik Sounds of Attraction: Yugoslav and Post-Yugoslav Popular Music.
Zbornik je eden od rezultatov projekta ARRS Angažirana preteklost: socialnoantropološka analiza transformacij popularne glasbe na območju nekdanje Jugoslavije.
Več informacij na spletni strani Znanstvene založbe Filozofske fakultete oz. spletni strani issuu.
Zvabljeni k branju!
Tisa Jukić: »Frajerluk i amerikanijada«: džez u posleratnoj Jugoslaviji
To jazz or not to jazz, bilo je glavno pitanje jugoslovenskih muzičara u prvim godinama posle Drugog svetskog rata. Da li je džez bio muzika progresivnog Zapada ili samo razonoda smrdljivih kapitalista, prosudite sami…
Celoten tekst je dostopen na spletni strani: http://kulturkokoska.rs/dzez-u-posleratnoj-jugoslaviji/
Media Archaeologies, Micro-Archives and Storytelling: Re-presencing the Past
Izšla je knjiga Martina Pogačarja
Media Archaeologies, Micro-Archives and Storytelling: Re-presencing the Past
Podrobnejše informacije o knjigi najdete na povezavi: http://www.palgrave.com/de/book/9781137525796
Posnetki predavanj s konference Occupied!
Na spletnem portalu Nova Muska bodo med poletjem (pod zavihkom PODCAST) objavljeni zvočni posnetki predavanj s konference Occupied! Popular music, capital, state and society:
- Srđan Atanasovski, Ana Petrov: Selling the tears: commodification of feelings in post-Yugoslav music market
- Marko Zubak: Create digging in ex-Yugoslavia: challenging grand narratives of popular music
- Edo Katanić: Did the Marshal die? Zabranjeno Pušenje and the Yugoslav state censorship
- Panayotis Panopoulos: The Caribbean in the Aegean: copyrighting place, Greek island folk songs and Greek world music
- Ičo Vidmar: Independent musicians, collective action and musicians’ union: the case of “Winter Jazzfest agreement” in New York City
- André Rottgeri: The impact of cultural politics on Rock Alternatif and Rock Métis
- Joanna Maurer: Rappers as prophets. Crypto – theology in rap music based on Slovak and Polish representatives
- Rajko Muršič: Fear, music, and noise: on the power of music, free market and legislation in present-day Slovenia
- Yoshe Watson: After the crash: reclaiming uncertainty in a neoliberal society
- Nadia Molek: From the Julian Alps to the Pampa: transnational polka performances amond descendants of Slovenian exiles in Argentina
- Juan Esteban de Jager: Sikuri panpipe bands in Jujuy province, Argentina: military rhythms, cumbia and Marian processions
- Petra Hamer: Popular music and civil society during the homeland war in Croatia
- Vladislav Beronja: Form, ideology, and performance in contemporary turbo-folk
Music, Affect and Memory Politics in post-Yugoslav space
Special issue of the journal Southeastern Europe: Music, Affect and Memory Politics in post-Yugoslav space
Introduction to the Co-edited issue “Music, Affect and Memory Politics in Post-Yugoslav space” guest editor by Ana Hofman
Article in PDF
Spaces of the Past: Emotional Discourses of ‘Zavičaj’ (Birthplace) and Nation in Yugoslav and Post-Yugoslav Popular Music by Catherine Baker
Article in PDF
The Songs We Love to Sing and the History We Like to Remember: Tereza Kesovija’s Comeback in Serbia by Ana Petrov
Article in PDF
Music and Memory: Yugoslav Rock in Social Media by Martin Pogačar
Article in PDF
Hybrid Affects of Religious Nationalism: Pilgrimages to Kosovo and the Soundscapes of the Utopian Past by Srđan Atanasovski
Article in PDF
Youth and Rock in the Soviet Bloc, nova knjiga
Youth and Rock in the Soviet Bloc: Youth Cultures, Music, and the State in Russia and Eastern Europe. William Jay Risch, ed. Lexington Books. 2014.
Youth and Rock in the Soviet Bloc explores the rise of youth as consumers of popular culture and the globalization of popular music in Russia and Eastern Europe. This collection of essays challenges assumptions that Communist leaders and Western-influenced youth cultures were inimically hostile to one another. While initially banning Western cultural trends like jazz and rock-and-roll, Communist leaders accommodated elements of rock and pop music to develop their own socialist popular music. They promoted organized forms of leisure to turn young people away from excesses of style perceived to be Western. Popular song and officially sponsored rock and pop bands formed a socialist beat that young people listened and danced to. Young people attracted to the music and subcultures of the capitalist West still shared the values and behaviors of their peers in Communist youth organizations.
Več: https://rowman.com/ISBN/9780739166932
Posnetki prispevkov s posveta o popularni glasbi nekdanje Jugoslavije
Posnetki prispevkov s posveta Popularna glasba nekdanje Jugoslavije v primežu socialistične preteklosti in kapitalistične sedanjosti, ki je potekal 14. marca 2014 v Muzeju novejše zgodovine Slovenije, so dostopni na spletni strani spletne revije Nova Muska: http://novamuska.org/?p=8559
Rock’n’retro, nova knjiga
Rock’n’retro
Novi jugoslavizem v sodobni slovenski popularni glasbi
Mitja Velikonja
2013
V slovenski ideološki krajini glede Jugoslavije vlada ambivalenten odnos, razpet med jugofobijo in jugofilijo. Medtem ko je bil prevladujoči politični diskurz bodisi izrazito negativno jugoslavističen bodisi je to poglavje sramežljivo ignoriral in potlačil, je v vsakdanjem življenju in popularni kulturi jugoslovanskost na nekaterih področjih ostajala živa in priljubljena, na primer pri hrani, na nekaterih drugih področjih pa lahko opazimo postopno odpiranje jugoslovanskosti, ki se je začelo že nekaj let po osamosvojitvi. Tako negativni jugoslavizem ne vpliva na množično počitnikovanje na Hrvaškem, potovanja drugod po Jugoslaviji in priljubljenost tamkajšnjih žurerskih destinacij. Podobno se je z velikim uspehom knjige Gorana Vojnovića Čefurji raus! (2008), ki je prejela nagrado kresnik, zgodilo celo v književnosti, torej na področju, kjer je slovenski kulturniški nacionalizem najgloblje ugnezden. Continue reading →
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