Izbrane reference raziskovalk in raziskovalcev projekta:
Hofman, Ana, 2013, ‘Ko se boji šunda još?: muzička cenzura u Jugoslaviji.’ V: Socijalizam na klupi: Jugoslavensko društvo očima nove postjugoslavenske humanistike. Lada Duraković in Andrea Matošević, ur. Zagreb: Srednja Europa; Pula: Sveučilište Jurja Dobrile: Sa(n)jam knjige u Istri, str. 279-316.
Hofman, Ana, 2012, ‘Lepa Brena: Repolitization of musical memories on Yugoslavia.’ Glasnik Etnografskog instituta 60(1): 21-32. Povezava do članka v pdf obliki: http://www.doiserbia.nb.rs/img/doi/0350-0861/2012/0350-08611201021H.pdf
Hofman, Ana, 2010, ‘Kafana Singers: Popular music, gender and subjectivity in the cultural space of socialist Yugoslavia.’ Narodna umjetnost 47(1): 141-161. Povezava do članka v pdf obliki: http://hrcak.srce.hr/file/81651
Kozorog, Miha, 2013, Festivalski kraji: Koncepti, politike in upanje na periferiji. Ljubljana: Znanstvena založba Filozofske fakultete.
Kozorog, Miha ur., 2009, Tito – stara ikona v novih kontekstih. Prispevki s seminarja Roaming Anthropology IV, Nova Gorica, 27. april – 1. maj 2006. Kula 3 (posebna številka). Zbornik v pdf obliki: Kula_Tito
Jezernik, Božidar, Rajko Muršič, Alenka Bartulović, ur., 2007, Europe and its Other: Notes on the Balkans. Ljubljana: Univerza v Ljubljani, Filozofska fakulteta
Muršič, Rajko, 2008, ‘Ambiguities of Identification and Alterity from the Perspective of Popular Culture: A Few Examples from former Yugoslavia.’ In: Balkan Border Crossings: First Annual of the Konitsa Summer School. Vssilis Nitsiakos, Ioannis Manos, Georgios Agelopoulos, Aliki Angelidou and Vassilis Dalkavoukis, eds. Berlin, Münster: Lit Verlag, pp. 86-104.
Muršič, Rajko, 2011, ‘Yugoslav and Post-Yugoslav Encounters with Popular Music and Human Rights.’ In: Popular Music and Human Rights, Vol. 2: World Music. Ian Peddie, ed. Farnham: Ashgate, pp. 91-104.
Petrović, Tanja, 2011, ‘The political dimension of post-social memory practices: Self-organized choirs in the former Yugoslavia.’ In: Defragmenting Yugoslavia. Irena Ristić ed. (Südosteuropa, Jg. 59, H. 3). Regensburg: Südost-Institut, pp. 315-329.
Petrović, Tanja, 2012, Yuropa: Jugoslovensko nasleđe i politike budućnosti u postjugoslovenskim društvima, (Edicija Reč, knj. 72). Beograd: Fabrika knjiga.
Pogačar, Martin, 2008, ‘Yu-rock in the 1980s: Between urban and rural.’ Nationalities papers 36(5): 829-832.
Pogačar, Martin, 2012, ‘Music blogging: Saving Yugoslav popular music.’ In: Cybercultures: Mediations of community, culture, politics. Harris Breslow in Aris Mousoutzanis, eds. Amsterdam; New York: Rodopi, pp. 165-188.
Projektna bibliografija:
Abélès, Marc, 2001 (1990), Antropologija države. [Anthropology of the State.] Beograd: Biblioteka XX vek.
Adorno, Theodor W., with George Simpson, 1941, ‘On Popular Music.’ Studies in Philosophy and Social Science 9: 17-48.
Allcock, John, 2002, Explaining Yugoslavia. London: Hurst.
Andree Zaimović, Vesna, 2002, ‘Muzička politika na javnom radijskom servisu Bosne i Hercegovine: Muzikološki izazov u specifičnoj poslijeratnoj stvarnosti.’ [Music Policy in Public Radio Service of Bosnia and Herzegovina: Musicolocigal Challenge in Specific Post-War Reality.] In: Zbornik radova 3. međunarodnog simpozija »Muzika u društvu«. [Proceedings from the 3rd International Symposium »Music in the Society«.] Ivan Čavlović, ed. Sarajevo: Muzikološko društvo, pp. 125-131.
Andree Zaimović, Vesna, 2004, ‘O medijskom pristupu popularnoj muzici zemalja bivše SFRJ.’ [On Media Approach to Popular Music in the Countris of Former Socialist Federative Republic of Yugoslavia.] In: Zbornik radova 4. međunarodnog simpozija »Muzika u društvu«. [Proceedings from the 4th International Symposium »Music in the Society«.] Tamara Karača and Senad Kanić, eds. Sarajevo: Muzikološko društvo, pp. 161-165.
Appadurai, Arjun, 1990, ‘Disjuncture and Difference in the Global Cultural Economy.’ Public Culture 2(2): 1-23.
Appadurai, Arjun, 1996, Modernity at Large. Minneapolis: University of Minnesota Press.
Baker, Catherine, 2006, ‘The Politics of Performance: Transnationalism and its Limits in Former Yugoslav Popular Music, 1999–2004.’ Ethnopolitics: Formerly Global Review of Ethnopolitics 5(3).
Bakić-Hayden, Milica, 1995, ‘Nesting Orientalisms: The Case of Former Yugoslavia.’ Slavic Review 54(4): 917-931.
Bakić-Hayden, Milica, and Hayden, Robert M., 1992, ‘Orientalist Variations on the Theme »Balkans«: Symbolic Geography in Recent Yugoslav Cultural Politics.’ Slavic Review 51(1): 1-15.
Balalovska, Kristina, 2004, ‘Between the »Balkans« and »Europe«: A Study of the Contemporary Transformation of Macedonian Identity.’ Journal of Contemporary European Studies 12(2): 193–214.
Ballinger, Pamela, 2004, ‘»Authentic Hybrids« in the Balkan Borderlands.’ Current Anthropology 45(1): 34-60.
Barbarič, Peter, 1996, Okopi slave: Štiri desetletja rocka & popa. [Entrenchments of Glory: Four Decades of Rock and Pop.] Ljubljana: Vitrum.
Baronijan, Varteks, 1970, ‘Pola veka beogradskog zabavno-muzičkog života.’ [Half a Century of Popular Music in Belgrade]. Zvuk 102-103; 104-106.
Bauman, Zygmund, 1998, Globalization: The Human Consequences. Cambridge: Polity Press.
Bauman, Zygmund, 2000, Liquid Modernity. Cambridge: Polity Press.
Benderly, Jill, and Evan Kraft, eds., 1994, Independent Slovenia: Origins, Movements, Prospects. London: Macmillan.
Bennett, Linda A., 1998, ‘A Forty-Year Retrospective of the Anthropology of Former Yugoslavia.’ In: Europe in the Anthropological Imagination. Susan Parman, ed. Upper Saddle River, New York: Prentice Hall, pp.118–33.
Berishaj, Martin, 2004, Skrita moč bese: Ženske v imaginariju albanskega tradicionalizma. Ljubljana: Založba ZRC, ZRC SAZU.
Bhabha, Homi K., 1994, The Location of Culture. London: Routledge.
Bjelić, Dušan I., and Obrad Savić, 2002, Balkan as Metaphor: Between Globalization and Fragmentation. Cambridge, Massachusetts: The MIT Press.
Blau, Dick, Charles Keil, Vasiliki Keil and Steven Feld, 2002, Bright Balkan Morning: Romani Lives and the Power of Music in Greek Macedonia. Middletown: Wesleyan University Press.
Boehm, Christopher, 1983, Montenegrin Social Organization and Values: Political Ethnography of a Refuge Area Tribal Adaptation. New York: AMS Press.
Bošković, Aleksandar, ed., 2000, Critical Art Ensemble: Strategije otpora. Beograd: CCE/Virko.
Bourgois, Philippe I. and Jeff Schonberg, 2009, Righteous Dopefiend. Berkeley: University of California Press.
Bowman, Glenn, 1994, ‘Xenophobia, Fantasy and the Nation: The Logic of Ethnic Violence in Former Yugoslavia.’ In: Anthropology of Europe: Identity and Boundaries in Conflict. Victoria Goddard, Josep Llobera and Chris Shore, eds. London: Berg, pp. 143-171.
Bringa, Tone, 1995, Being Muslim the Bosnian Way: Identity and Community in a Central Bosnian Village. Princeton, New Jersey: Princeton University Press.
Carmichael, Cathie, 2000, ‘A People Exists and that People Has Its Language: Language and Nationalism in the Balkans.’ In: Language and Nationalism in Europe. Stephen Barbour & Cathie Carmichael, eds. Oxford: Oxford University Press, pp. 221-239.
Carmichael, Cathie, 2002, Ethnic Cleansing in the Balkans: Nationalism and the Destruction of Tradition. London: Routledge.
Castells, Manuel, 2003, The Rise of the Network Society. Oxford: Blackwell.
Ceglar, Miha, 1999, ‘Balkan scena.’ V: Urbana plemena: Subkulture v Sloveniji v devetdesetih. Peter Stankovič, ur. Ljubljana: ŠOU, str. 14-22.
Ceribašić, Naila, 2007, ‘Musical Faces of Croatian Multiculturality.’ Yearbook for Traditional Music 39: 1-26.
Ceribašić, Naila, and Ana Hofman, Ljerka Vidić Rasmussen, 2008, ‘Post-Yugoslavian Ethnomusicologies in Dialogue.’ Yearbook for traditional music 40: 33-45.
Clifford, James, 1997, Routes: Travel and Translation in the Late Twentieth Century. Cambridge, MA: Harvard University Press.
Cohen, Sara, 1991, Rock Culture in Liverpool: Popular Music in the Making. Oxford: Clarendon Press.
Cole, John W., 1977, ‘Anthropology Comes Part-Way Home: Community Studies in Europe.’ Annual Review of Anthropology 6: 349-378.
Collin, Matthew, 2004, This is Serbia Calling: Rock ‘n’ roll Radio and Belgrade’s Underground Resistance. Updated edition. London: Serpent’s Tail.
Cowan, Jane K., ed., 2000, Macedonia: The Politics of Identity and Difference. London and Sterling, Virginia: Pluto Press.
Cresswell, Tim, ed., 2001, ‘Mobilities.’ Special issue. New Formations 43 (Spring).
Cushman, Thomas, 2004, ‘Anthropology and genocide in the Balkans: an analysis of conceptual practices of power.’ Anthropological Theory 4(1): 5-28.
Čale Feldman, Lada, Ines Prica, and Reana Senjković, eds., 1993, Fear, Death and Resistance. An Ethnography of War: Croatia 1991-1992. Zagreb: Institute of Ethnology and Folklore Research, Matrix Croatica, X-Press.
Ćaleta, Joško, 2003, ‘Klapa Singing and Ča-val: The Mediterranean Dimension of Popular Music in Croatia.’ In: Mediterranean Mosaic: Popular Music and Global Sounds. Goffredo Plastino, ed. New York and London: Routledge, pp. 241-266.
Čolović, Ivan, 1982, ‘Nove narodne pesme i porodica.’ Etnološke sveske 4: 133-143.
Čolović, Ivan, 1994, Bordel ratnika: Folklor, politika i rat. [Brothel of the Warriors: Folklore, Politics, and War. French translation] Beograd: XX vek.
Čolović, Ivan, 2002, The Politics of Symbol in Serbia: Essays in Political Anthropology. (trans.) Celia Hawkesworth. London: Hurst & Company.
Čolović, Ivan, 2006, Etno: Priče o muzici sveta na Internetu. [Ethno: Stories of World Music on Internet.] Beograd: Biblioteka XX vek.
Čolović, Ivan, 2011, Balkans: The Terror of Culture. Essays in political anthropology. Baden-Baden: Nomos.
Čvoro, Uroš, 2014, Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia. Ashgate Publishing.
Dekleva, Bojan in Špela Razpotnik, 2001, Čefurji so bili rojeni tu: Življenje mladih priseljencev druge generacije v Ljubljani. Ljubljana: Pedagoška fakulteta, Inštitut za kriminologijo pri Pravni fakulteti.
Dević, Dragoslav, 1963, ‘Nove narodne pesme.’ Zbornik radova 9. kongresa SUFJ, Sarajevo 1963: 545-551.
Doliner, Gorana, 1978, ‘Folklor i novokomponirana narodna muzika.’ Zvuk 1: 20-24.
Dimitrijević, Branislav, 2002, ‘»Ovo je savremena umetnost«: turbo folk kao radikalni performans.’ Prelom 2–3: 100.
Dimitrijevic, Olga. 2009, The body of the Female Folk Singer: Constructions of National Identities in Serbia after 2000. MA thesis. Budapest: Central European University.
Đurković, Miša. 2010, Slika, zvuk i moć. Ogledi iz pop-politike. Beograd: MST Gajić.
Dragičević–Šešić, Milena, 1994, Neofolk kultura, publika i njene zvezde. [Neo-folk Culture, Public and Its Stars.] Sremski Karlovci, Novi Sad: Izdavačka knjižarnica Zorana Stojanovića.
Duijzings, Ger, 2000, Religion and the Politics of Identity in Kosovo. London: C. Hurst & Co.
Escobar, Arturo, 1994, ‘Welcome to Cyberia.’ Current Anthropology 35(3): 211–231.
Faubion, James D. and George E. Marcus, ed., 2009, Fieldwork is not what it used to be: Learning anthropology’s method in a time of transition. Ithaca, N.Y.; London: Cornell University Press.
Ferbežar, Ina, 1995, ‘Besedila Avsenikovih narodno-zabavnih po pevk 1953-1985 ali popevčice milemu narodu.’ Traditiones 24: 331-339.
Finnegan, Ruth, 1989, The Hidden Musicians: Music-Making in an English Town. Cambridge, New York, Port Chester, Melbourne and Sydney: Cambridge University Press.
Fischer, Michael M. J., 2009, Anthropological Futures. Durham [NC]: Duke University Press.
Gilbert, Andrew, 2006, ‘The past in parenthesis: (Non)post-socialism in post-war Bosnia-Herzegovina.’ Anthropology Today 22(4): 14-18.
Giordano, Christian, Ina-Maria Greverus, and Dobrinka Kostova, eds., 1995, Ethnicity – Nationalism – Geopolitics in the Balkans. Anthropological Journal on European Cultures 4(1) [special issue.]
Glavan, Darko, Velibor Jerbić, Stoja Lukić in Vladimir Tomić, 1978, Pop glazba i kultura mladih 1: Sondažno istraživanje pub like rock-koncerata. Zagreb: Naklada Centra društvenih djelat nosti SSOH.
Goldsworthy, Vesna, 1998, Inventing Ruritania: The Imperialism of the Imagination. New Haven and London: Yale University Press.
Gordy, Eric D., 1999, The culture of power in Serbia: nationalism and the destruction of alternatives. University Park, Pa.: Pennsylvania State Univ. Press.
Gow, James, and Cathie Carmichael, 2001 (2nd impression, corrected), Slovenia and the Slovenes: A Small State and the New Europe. London: Hurst & Company.
Green, Sarah F., 2005, Notes From the Balkans. Locating Marginality and Ambiguity on the Greek-Albanian Border. Princeton, Oxford: Princeton University Press.
Green, Sarah F., 2009, ‘Lines, Traces and Tidemarks: Reflections on Forms of Borderliness.’ Paper presented at the COST IS0803 WG1 Meeting in Nicosia, 14–15 April.
Grlja, Dušan, 2002, ‘(De)generation in »Protest« or the Defense and the Last Days of »Other Serbia«.’ Break 2(2-3): 34-44.
Grusin, Richard, 1997, Premediation: Affect and Mediality After 9/11. London: Palgrave Macmillan.
Gupta, Akhil, and James Ferguson, eds., 1997, Culture, Power, Place: Explorations in Critical Anthropology. Durham, London: Duke University Press.
Halpern, Joel M., and David A. Kideckel, eds. 2000, Neighbors at War: Anthropological Perspectives on Yugoslav Ethnicity, Culture, and History. University Park: The Pennsylvania State University Press.
Hammel, Eugene A., 1968, Alternative social structures and ritual relations in the Balkans. New York: Prentice-Hall.
Hannerz, Ulf, 1989, ‘Notes on the Global Ecumene.’ Public Culture 1(2): 66-75.
Hannerz, Ulf, 1996, Transnational Connections: Culture, People, Places. London, New York: Routledge.
Hannerz, Ulf, 1998, ‘Transnational Research.’ In: Handbook of Methods in Cultural Anthropology. H. Russell Bernard, ed. Walnut Creek, Lanham, New York and Oxford: Altamira Press, pp. 235-256.
Hannerz, Ulf, 2010, Anthropology’s World: Life in a Twenty-first-century Discipline. London: Pluto.
Harvey, David, 1990, The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Oxford: Blackwell.
Hayakawa, Samuel Ichiye, 1965 (1957), ‘Popular Songs vs. the Facts of Life.’ In: Mass Culture: The Popular Arts in America. Bernard Rosenberg and David Manning White, eds. New York and London: The Free Press, Collier-Macmillan Limited, pp. 393-403.
Hayden, Robert M., 2007, ‘Moral Vision and Impaired Insight: The Imagining of Other Peoples’ Communities in Bosnia.’ Current Anthropology 48(1): 105-131.
Hayden, Robert M., and Milica Bakić-Hayden, 1992, ‘Orientalist Variations on the Theme »Balkans«: Symbolic Geography in Recent Yugoslav Cultural Politics.’ Slavic Review 1: 1-15.
Heath, Joseph and Andrew Potter, 2005, The Rebel Sell: How the Counter-culture Became Consumer Culture, Chichester: Capstone.
Helmreich, Stefan, 2009, Alien Ocean: Anthropological Voyages in Microbial Seas. Berkeley: University of California Press.
Herzfeld, Michael, 1987, Anthropology through the Looking Glass: Critical Ethnography in the Margins of Europe. Cambridge: Cambridge University Press.
Ho, Karen Zouwen, 2009, Liquidated: An Ethnography of Wall Street. Durham: Duke University Press.
Hofman, Ana, 2007, ‘Tabu na sećanja: Bolest zvana jugonostalgija.’ Nova srpska politička misao. [Spletno izd.], 5. nov. 2007. Internetni vir: http://starisajt.nspm.rs/kulturnapolitika/2007_hofman2.htm.
Hofman, Ana, 2008, ‘Music of »working people«: Musical folklore and the creation of Yugoslav identity.’ In: Mirjana Veselinović-Hofman, ed. Musical folklore as a vehicle?. Belgrade: Signature: Faculty of Music, pp. 59-67.
Hofman, Ana, 2009, ‘Javne manifestacije i reprezentacije ženskog tela u socijalizmu.’ V: Telo i odevanje. Dragan Žunić, ur. Niš: Centar za naučna istraživanja SANU i Univerziteta u Nišu, str. 189-199.
Hofman, Ana. 2009, ‘Sounding transition: Musical practices as everyday experience in post-socialist Serbia.’ In: First symposium of ICTM Study group for music and dance in Southeastern Europe : 4-8 september 2008, Struga R. Macedonia. Velika Stoykova Serafimovska, ed. Skopje: Macedonian Composers’s Association – SOKOM, pp. 9-19.
Hofman, Ana, 2009, ‘Yugomania: Music and nostalgic practice on the internet.’ In: Voices of the weak : Music and minorities. Zuzana Jurkova and Lee Bidgood, eds. Praha: NGO Slovo 21: Faculty of Humanities of Charles University, pp. 216-225.
Hofman, Ana, 2010, ‘Kafana singers: Popular music, gender and subjectivity in the cultural space of socialist Yugoslavia.’ Narodna umjetnost 47(1): 141-161.
Hofman, Ana, 2010, ‘Socialist stage: Politics of place in musical performance.’ New sound 36(2): 120-134.
Hofman, Ana, 2011, ‘Druga Tita rodila je vila: Kako se pevalo (o) Titu.’ V: Tito – viđenja i tumačenja: zbornik radova. Olga Manojlović Pintar, ur. Beograd: Institut za noviju istoriju Srbije: Arhiv Jugoslavije, str. 615-625.
Hofman, Ana, 2011, ‘Folklora med preteklostjo in prihodnostjo: Partizanske pesmi in oblikovanje kanona jugoslovanske folklore.’ Traditiones 40(3): 99-112.
Hofman, Ana, 2011, ‘Questioning socialist folklorization: The Beltinci folklore festival in the Slovenian borderland of Prekmurje.’ In: Audiovisual media and identity issues in Southeastern Europe. Eckehard Pistrick, Nicola Scaldaferri, Gretel Schwörer, eds. Newcastle upon Tyne: Cambridge Scholars, pp. 238-257.
Hofman, Ana, 2011, Staging Socialist Femininity: Gender Politics and Folklore Performance in Serbia. Leiden, Boston: Brill.
Hofman, Ana, 2012, ‘Experiencing socialism: Female singers in Southeastern Serbia.’ In: Negotiating normality: Everyday lives in socialist institutions. Daniela Koleva, ed. New Brunswick: Transaction Publishers, pp. 103-119.
Hofman, Ana, 2012, ‘Lepa Brena: Repolitization of musical memories on Yugoslavia.’ Glasnik Etnografskog instituta 60(1): 21-32.
Hofman, Ana, 2013, ‘Ko se boji šunda još?: Muzička cenzura u Jugoslaviji.’ V: Socijalizam na klupi: Jugoslavensko društvo očima nove postjugoslavenske humanistike. Lada Duraković in Andrea Matošević, ur. Zagreb: Srednja Europa; Pula: Sveučilište Jurja Dobrile: Sa(n)jam knjige u Istri, str. 279-316.
Huhtamo, Erkki, Parikka Jussi, 2011, Media Archaeology: Approaches, Applications and Implications. Berkley: University of California Press.
Hujic, Lida, 1996, ‘»I hope you’re enjoing your party«: MTV in wartorn Bosnia.’ Screen 37(3): 268-277.
Ingold, Tim, 2009, ‘Against Space: Place, Movement, Knowledge.’ In: Boundless Worlds: An Anthropological Approach to Movement. Peter Wynn Kirby, ed. New York, Oxford: Berghahn Books, pp. 29–43.
Iveković, Rada, 2000, ‘(Ne)predstavljivost ženskog u simbolikoj ekonomiji: Žene, nacija i rat nakon 1989 godine.’ V: Žene, slike, izmišljaji. Branka Arsić, ur. Beograd: Centar za ženske studije, pp. 9-31.
Jakovljević, Svetolik, 2003, Jedan vek džeza: Kratki prilozi za izučavanje džeza u Srbiji. [One Century of Jazz: A Short Contributions to the Study of Jazz in Serbia.] Beograd: Knjižara Žagor.
Jambrešić Kirin, Renata, and Maja Povrzanović, eds., 1996, War, Exile, Everyday Life: Cultural Perspectives. Zagreb: Institute for Ethnology and Folklore Research.
Janjatović, Petar, 1998, Ilustrovana Yu rock enciklopedija 1960–1997 [Illustrated Yu-Rock Encyclopedia 1960—1997.] Second edition. Beograd: Geopolitika.
Janjatović, Petar, 1999, ‘A Retrospect: Yugoslav Pop and Rock.’ Novi zvuk (New Sound) 13: 30-35.
Jansen, Stef, 2000, ‘Victims, Underdogs and Rebels: Discursive Practices of Resistance in Serbian Protest.’ Critique of Anthropology 20(4) 393–419.
Jansen, Stef, 2008, ‘Misplaced Masculinities: Status Loss and the Location of Gendered Subjectivities amongst »Non-transnational« Bosnian Refugees.’ Anthropological Theory 8(2): 181–200.
Jeffs, Nikolai, 2005, ‘Some People in This Town Don’t Want to Die Like a Hero: Multiculturalism and the Alternative Music Scene in Sarajevo. 1992-1996.’ In: Rock ‘n’ Roll and Nationalism: A Multinational Perspective. Mark Yoffe and Andrea Collins, eds. Newcastle: Cambridge Scholars Press, pp. 1-19.
Jezernik, Božidar, 1998a, ‘Western Perception of Turkish Towns in the Balkans.’ Urban History 25(2): 211-230.
Jezernik, Božidar, 1998b, Dežela, kjer je vse narobe: Prispevki k etnologiji Balkana. Ljubljana: Znanstveno in publicistično središče.
Jezernik, Božidar, 2004, Wild Europe: The Balkans in the Gaze of Western Travellers. London: Saqui, The Bosnian Institute.
Jezernik, Božidar, ed., 2010, Imagining »the Turk«. Newcastle: Cambridge Scholars Press.
Jezernik, Božidar, Rajko Muršič, in Alenka Bartulović, ur., 2007, Europe and its Other: Notes on the Balkans. Ljubljana: Univerza v Ljubljani, Filozofska fakulteta.
Jovanovic, Zlatko, 2014, All Yugoslavia Is Dancing Rock and Roll: Yugoslavness and the Sense of Community in the 1980s Yu-Rock. PhD thesis. University of Copenhagen. Internet source: http://curis.ku.dk/ws/files/104432678/Ph.d._2014_Jovanovic.pdf
Juvančić, Hrvoje, 1997, Rock, MTV i američki kulturni imperijalizam. Zagreb: Meandar, Agm.
Kalapoš, Sanja, 2000, ‘Cijeli svijet u mom selu: Globalna naspram lokalne kulture, lokaliziranje globalnog i globaliziranje lokalnog.’ [The whole World in my Village: Global vs. local Culture. Localization of the Global and Globalization of the Local.] Etnološka tribina: 23-30.
Kalapoš, Sanja, 2002, Rock po istrijanski: O popularnoj kulturi, regiji i identitetu. [Rock, the Istrian Way: On Popular Culture, Region and Identity.] Zagreb: Jesenski i Turk.
Kideckel, David A., 2005, ‘The »Tar Baby« revisited: War in Former Yugoslavia and anthropological discourses and responsibilities.’ Anthropological Theory 5(4): 571–575.
Kirby, Peter Wynn, ed., 2009a, Boundless Worlds. An Anthropological Approach to Movement. New York, Oxford: Berghahn Books.
Kirby, Peter Wynn 2009b. ‘Lost in »Space«: Anthropological Approach to Movement.’ In: Boundless Worlds: An Anthropological Approach to Movement. Peter Wynn Kirby, ur. New York, Oxford: Berghahn Books, pp. 1–27.
Koerbler, Milivoj, 1968, ‘Laka i popularna muzika u Jugoslaviji.’ [Light and Popular Music in Yugoslavia.] Zvuk 87-88: 452-56.
Konstantinov, Miloš, 1988, ‘Ethnology of the Macedonians.’ Etnološki pregled 23-24: 75-88.
Konstantinović, Radomir, 1969, Filosofija palanke. [Small-town Philosophy.] Beograd: NOLIT.
Kovačević, Ivan, i Marija Ristivojević, ur., 2013, Antropologija muzike – Nova srpska antropologija, knj.3. Beograd: Odeljenje za etnologiju i antropologiju Filozofskog fakulteta Univerziteta u Beogradu, Srpski genealoški centar. Online publikacija: http://www.anthroserbia.org/Content/PDF/Publications/25d2a470e8b2453e922a6affb462a280.pdf
Kozorog, Miha, in Viktor Škedelj, 2006, ‘DJ Nasko na Radiu študent: Kratka analiza neke politične korektnosti.’ V: »Zakaj pri nas žive Cigani in ne Romi«: narativne
podobe Ciganov/Romov. Božidar Jezernik, ur. Ljubljana: Filozofska fakulteta, pp. 245-257.
Kozorog, Miha, 2009, ur., Tito – stara ikona v novih kontekstih. [Tito – Old Icon in New Contexts.] Prispevki s seminarja Roaming Anthropology IV, Nova Gorica, 27. april – 1. maj 2006. Kula 3 (posebna številka).
Kozorog, Miha. 2012. ‘Primjer slučajnog turizma: Društveni i prostorski stvaraoci festivalskog turizma u Tolminu u Sloveniji.’ [A Case Study in Tourism: Social and spatial Creators of Festival Tourism in Tolmin, Slovenia.] Studia Ethnologica Croatica, vol 24.
Kozorog, Miha, 2013, Festivalski kraji: Koncepti, politike in upanje na periferiji. Ljubljana: Znanstvena založba Filozofske fakultete.
Kronja, Ivana, 2001, ‘Najbolje godine našeg života. Pop-politika: Upotreba popularne culture u Srbiji posle 2000.’ [The Best Years of Our Life. Pop-politics: Use of Popular Culture in Serbia after 2000.] Republika 274-275. Internet source: http://www.yurope.com/zines/republika/arhiva/2001/274-275/274-275_15.htm (Accessed 5 July 2009).
Kronja, Ivana, 2004, ‘Politics, Nationalism, Music, and Popular Culture in 1990s Serbia.’ Slovo 16(1): 5-15.
Kuhar, Roman and Takacs, Judith, 2007, Beyond the pink curtain: Everyday life of LGBT people in Eastern Europe. Ljubljana: Mirovni inštitut.
Kulić, Mišo, 1980, Rock kultura u izazovu. Sarajevo: Književna omladina Sarajeva.
Kürti, László, 2012, ‘Twenty Years After: Rock Music and National Rock in Hungary.’ Region: Regional Studies of Russia, Eastern Europe, and Central Asia 1(1): 93–129.
Kürti, László, and Peter Skalník, eds., 2009, Postsocialist Europe: Anthropological Perspectives from Home. London; New York: Berghahn.
Lazić, Mladen, 1995, ‘Inter-Ethnic Relations in Serbia.’ Anthropological Journal on European Cultures 4(1): 63-77.
Lockwood, William G., 1975, European Moslems: Economy and Ethnicity in Western Bosnia. New York, San Francisco, London: Academic Press.
Longinovic, Tomislav, 2000, ‘Music Wars: Blood and Song at the End of Yugoslavia.’ In: Music and the Racial Imagination. Ronald Radano and Philip V. Bohlman, eds. Chicago: University of Chicago Press.
Lovšin, Peter, Peter Mlakar in Igor Vidmar, ur., 2002, Punk je bil prej: 25 let punka pod Slovenci. [Punk Happened Before: 25 Years of Punk under the Slovenes.] Ljubljana: Cankarjeva založba and Ropot.
Lukić-Krstanović, Miroslava, 2002, Vox adolescentiae: Moj javni život i spektakli. Običaji životnog ciklusa u gradskoj sredini. Beograd: Etnografski institut SANU, posebna izdanja, knjiga 48.
Lukić-Krstanović, Miroslava, 2003, ‘Mass Gatherings Seen as Political and Cultural Events: Social Dramas and Spectacles.’ Glasnik Etnografskog instituta SANU 50-51.
Lukić-Krstanović, Miroslava, 2005, ‘EXIT Noise Summer Fest.’ Glasnik Etnografskog instituta SANU 53.
Lukić Krstanović, Miroslava, 2010, Twentieth Century Spectacle: Music and Power. Beograd: Etnografski institut SANU.
Luković, Petar, 1989, Bolja prošlost: Prizori iz muzičkog života Jugoslavije 1940-1989. [Better Past: Scenes from the Music Life in Yugoslavia 1940-1989.] Beograd: Mladost.
Luthar, Breda, and Maruša Pušnik, eds., 2010, Rebembering Utopia: The Culture of Everyday Life in Socialist Yugoslavia. Washington: New Accademia Publishing.
Malečkar, Nela, in Tomaž Mastnak, eds., 1985, Punk pod Slovenci. [Punk under the Slovenes.] Ljubljana: UK ZSMS.
Malkki, Liisa, 1992, ‘National Geographic: The Rooting of Peoples and the Territorialisation of National Identity among Scholars and Refugees.’ Cultural Anthropology 7(1): 24–45.
Manuel, Peter, 1988, Popular Musics of the Non-Western World: an Introductory Survey. New York; Oxford: Oxford University Press.
Manuel, Peter, 1993, Cassette Culture: Popular Music and Technology in North India. Chicago, London: University of Chicago Press.
Marcus, George E., 1995, ‘Ethnography in/of the World System: The Emergence of Multi-Sited Ethnography.’ Annual Review of Anthropology 24: 95-117.
Massey, Doreen, 1994, Space, Place, and Gender. Minneapolis: University of Minnesota Press.
Massey, Doreen, 2005, For Space. Los Angeles: Sage.
Massey, Doreen, 2010, World City. Cambridge, Malden: Polity Press.
Mijatović, Brana, 2008, ‘»Throwing Stones at the System«: Rock Music in Serbia during the 1990s.’ Music and Politics 2(2). Internet source: http://www.music.ucsb.edu/projects/musicandpolitics/archive/2008-2/mijatovic.pdf (Accessed 19 July 2009).
Mikuš, Marek, 2011, ‘»State Pride«: Politics of LGBT Rights and Democratisation in »European Serbia«.’ East European Politics and Societies 25(4): 834-851.
Mijatović, Brana. 2003. Music and Politics in Serbia (1989-2000). Doctoral dissertation. Los Angeles: University of California Los Angeles.
Milic, Lidija, 2003, ‘From Serbia with Hate: A Case Study in Globalization, Trauma, and Language.’ Dialectical Anthropology 27: 331–353.
Milojević, Jasmina, 2004, World music. Jagodina: World Music Asocijacija.
Milojević, Jasmina, 2007, ‘Novo guslarstvo: Ogled o tradicionalnom muzičkom obliku u popularnoj kulturi.’ [New Gusle Music – A Study of Traditional Musical Form in Popular Culture.] Kultura 116-117: 123-140.
Mirković, Igor, 2004, Sretno dijete [The Lucky Kid]. Zaprešić: Fraktura.
Mlinar, Zdravko in Milko Poštrak, 1991, ‘Svetovna homogenizacija in/ali kulturni pluralizem: Rock glasba in narodno kulturno izročilo.’ Teorija in praksa 28(12): 1363-1375.
Monroe, Alexei, 2000, ‘Balkan Hardcore: Pop Culture and Paramilitarism.’ Central Europe Review 2(24).
Monroe, Alexei, 2005, Interrogation machine: Laibach and NSK. Cambridge (Mass.), London: MIT Press.
Muršič, Rajko, 1994, ‘Proti površni antropologiji: Antropologi in vojskujoči se Jugoslovani.’ [Against Superficial Anthropology: Anthropolo gists and the Yugoslavs’ War.]. Časopis za kritiko znanosti 22(170-171): 111-126.
Muršič, Rajko, 1995, Center za dehumanizacijo: Etnološki oris rock skupine. Pesnica: Frontier, ZKO Pesnica.
Muršič, Rajko, 1997, ‘»Razkritje krinke«: O lokalno-globalnih identifikacijah.’ [On local-global Identifications.] Traditiones 26: 223–236.
Muršič, Rajko, 1999, ‘On Globalisation, Westernisation, Popular Music and Similar Issues in the Times of the Transition of Post-socialist Countries.’ In: Cultural Processes and Transformations in Transition of the Central and Eastern European Post-Communist Countries. Etnološka stičišča/Ethnological Contacts/Zbieżności etnologiczne 9. Rajko Muršič in Borut Brumen, eds. Ljubljana: Filozofska fakulteta, pp. 139–156.
Muršič, Rajko, 2000a, ‘The Yugoslav Dark Side of Humanity: A View from a Slovene Blind Spot.’ In: Neighbors at War: Anthropological Perspectives on Yugoslav Ethnicity, Culture, and History. Joel M. Halpern and David A. Kideckel, eds. University Park: The Pennsylvania State University Press, pp. 56-77.
Muršič, Rajko, 2000b, ‘Provocation and Repression after Socialism: The Strelnikoff Case.’ In: Changing Sounds: New Directions and Configurations in Popular Music. IASPM 1999 International Conference Proceedings. Tony Mitchell, Peter Doyle and Bruce Johnson, eds. Sydney: University of Technology, pp. 309-318.
Muršič, Rajko, 2000c, Trate vaše in naše mladosti: zgodba o mladinskem in rock klubu [Trate: The Story of the Rock and Youth Club, 2 vols.] Ceršak: Subkulturni azil.
Muršič, Rajko, 2005a, ‘Yugoslavia.’ In: Continuum Encyclopedia of Popular Music of the World. Vol. 7, Europe. John Shepherd, David Horn, and Dave Laing, eds. London and New York: Continuum, pp. 140-143.
Muršič, Rajko, 2005b, ‘The Colourful Airwaves of Skopje: On Macedonian Radio Broadcasting and Its Prospects.’ In: Post-Yugoslav Lifeworlds between Tradition and Modernity. Zmago Šmitek and Aneta Svetieva, eds. Ljubljana: Filozofska fakulteta, pp. 163-187.
Muršič, Rajko, 2006, ‘Nova paradigma antropologije prostora: prostorjenje in človeška tvornost.’ [New paradigm for the anthropology of space: spatialization and human agency.] Glasnik Slovenskega etnološkega društva 46(3-4): 48–54.
Muršič, Rajko, 2007a, ‘The Balkans and Ambivalence of its Perception in Slovenia: the Horror of »Balkanism« and Enthusiasm for its Music.’ In: Europe and its Other: Notes on the Balkans. Božidar Jezernik, Rajko Muršič, and Alenka Bartulović, eds. Ljubljana: Univerza v Ljubljani, Filozofska fakulteta, pp. 87-105.
Muršič, Rajko, 2007b, ‘Contested/Reified Symbols and the Eclipse of the Critical Reason: Some Remarks on Socialist and Post-socialist Culture, Ideology, Religion, and Freedom in Slovenia – and Around.’ In: Places of Encounter: In memoriam Borut Brumen. Rajko Muršič and Jaka Repič, eds. Ljubljana: Univerza v Ljubljani, Filozofska fakulteta, pp. 131-150.
Muršič, Rajko, 2008, ‘Ambiguities of Identification and Alterity from the Perspective of Popular Culture: A Few Examples from former Yugoslavia.’ In: Balkan Border Crossings: First Annual of the Konitsa Summer School. Vassilis Nitsiakos, Ioannis Manos, Georgios Agelopoulos, Aliki Angelidou, and Vassilis Dalkavoukis, eds. Berlin, Münster: Lit Verlag, pp. 86-104.
Muršič, Rajko, 2011a, ‘Yugoslav and Post-Yugoslav Encounters with Popular Music and Human Rights.’ In: Popular Music and Human Rights, Volume 2: World Music. Ian Peddie, ed. Farnham and Burlington: Ashgate, pp. 91-104.
Muršič, Rajko, 2011b, Napravi sam: nevladna samonikla prizorišča, tvornost mladih in
medgeneracijsko sodelovanje. [Do it Yourself: Non-governmental Grassroots Youth Centres, Agency of the Youth and Cross-generational Cooperation.] Ljubljana: Znanstvena založba Filozofske fakultete. Elektronska knjiga: http://etnologija.etnoinfolab.org/dokumenti/73/2/2011/Rajko_Mursi%C4%8D_-_kon%C4%8Dna_in_lektorirana_2197.pdf
Muršič, Rajko, 2012a, Na trdna tla. Brezsramni pregled samoniklih prizorišč in premislek nevladja mladinskega polja. [On the solid ground: analysis of grassroots venues and youth non-governmental field in Slovenia.] Tolmin: Ustanova nevladnih mladinskega polja Pohorski bataljon.
Muršič, Rajko, 2012b, ‘Ethnologie de la modernité. Le rock slovène pendant et après le socialisme.’ Ethnologie Française 42(2): 251-260.
Muršič, Rajko, and Borut Brumen, eds., 1999, Cultural Processes and Transformations in Transition of the Central and Eastern European Post-communist Countries: Ethnological contacts 9. Ljubljana: Oddelek za etnologijo in kulturno antropologijo, Filozofska fakulteta, Univerza v Ljubljani.
Naumović, Slobodan, Karl Kaser, and Miroslav Jovanović, eds., 1998, Between the Archives and the Field. A Dialogue on Historical Anthropology of the Balkans. Wien-Belgrad-Graz: Böhlau.
O’Halloran, Kay. (In print). ‘Multimodal Analysis and Digital Technology.’ In: Interdisciplinary Perspectives on Multimodality: Theory and Practice. A. Baldry and E. Montagna, eds. Campobasso: Palladino.
Olwig, Karen Fog and Kirsten Hastrup, eds., 1997, Siting Culture: The Shifting of Anthropological Knowledge. London, New York: Routledge.
Ong, A., 1999, Flexible Citizenship: The Cultural Logics of Transnationality. Durham, NC.
Pančić, Teofil, 2009, ‘Tri srećna rođendana.’ [Three Happy Birthdays.] Vreme, 21. 5. 2009 (No. 959) Internet source: http://www.vreme.com/cms/view.php?id=865308 (Accessed May 23, 2009).
Papastergiadis, Nikos, 2000, The Turbulence of Migration. Cambridge: Polity Press.
Perković, Ante, 2011, Sedma republika – pop kultura u Yu raspadu. Zagreb; Beograd: Novi Liber and Službeni glasnik.
Petrović, Tanja, 2011, ‘The Political Dimension of Post-social Memory Practices: Self-organized Choirs in the Former Yugoslavia.’ In: Defragmenting Yugoslavia. Irena Ristić ed. (Südosteuropa, Jg. 59, H. 3). Regensburg: Südost-Institut, pp. 315-329.
Petrović, Tanja 2012, YUropa: Jugoslovensko nasleđe i politike budućnosti u postjugoslovenskim društvima. Beograd: Fabrika knjiga.
Pettan, Svanibor, 1992, ‘»Lambada« in Kosovo: A Profile of Gypsy Creativity.’ Journal of the Gypsy Lore Society 5(2): 117-130.
Pettan, Svanibor, 1993, ‘Glasba kot spodbuda in provokacija v času jugoslovanske dezintegracije’ (Musik als Anregung und Provokation in den Zeiten der jugoslawischen Desintegration). V: Provokacija v glasbi (Provokation in der Musik). Ljubljana: Slovenski glasbeni dnevi, str. 104-111.
Pettan, Svanibor, 1998, Music, Politics and War: Views from Croatia. Zagreb: Institute of ethnology and folklore research.
Pettan, Svanibor, 2002, Roma muzsikusok koszovóban: Kölcsönhatás és kreativitás/Rom Musicians in Kosovo: Interaction and Creativity. Budapest: Magyar Tudományos Akadémia Zenetudományi Intézet/Institute for Musicology of the Hungarian Academy for Sciences.
Pettan Svanibor, 2011, Etnomuzikologija na razpotju: iz glasbene zakladnice kosovkih Romov. [Ethnomusicology at the Crossroad: From Music Treasures of Kosovo Roma.] Ljubljana: Znanstvena založba Filozofske fakultete.
Pirjevec, Jože, 1995, Jugoslavija 1918-1992: Nastanek, razvoj ter razpad Karadjordjevićeve in Titove Jugoslavije. Koper: Založba Lipa.
Pirjevec, Jože, 2003, Jugoslovanske vojne 1991–2001. Ljubljana: Cankarjeva založba.
Pogačar, Martin, 2008, ‘Yu-rock in the 1980s: between urban and rural.’ Nationalities papers 36(5): 829-832.
Pogačar, Martin. 2011. ‘Predvajaj svojo preteklost: YouTube in vernakularne digitalizacije jugoslovanske preteklosti.’ [Play your Past: YouTube and vernacular Digitalizations of Yugoslov Past.] V: Politike reprezentacije v Jugovzhodni Evropi na prelomu stoletij. Tanja Petrović, ur. Ljubljana: Založba ZRC, str. 279-311.
Pogačar, Martin, 2012, Memonautica: Yugoslavia in Digital Memories, Memorials and Storytelling. PhD dissertation. Nova Gorica: University of Nova Gorica.
Pogačar, Martin, 2012, ‘Music Blogging: Saving Yugoslav Popular Music.’ In: Cybercultures: Mediations of Community, Culture, Colitics. Harris Breslow in Aris Mousoutzanis, eds. Amsterdam; New York: Rodopi, pp. 165-188.
Portes, Alejandro, and Josh Dewind, eds., 2007, Rethinking Migration: New Theoretical and Empirical Perspectives. New York, Oxford: Berghahn Books.
Povrzanović, Maja, 1985, ‘Kultura mladih u Jugoslaviji: Pregled savremenih etnoloških i socioloških istraživanja.’ Etnološki pre gled/Revue d’ethnologie 20-21: 53-65.
Povrzanović Frykman, Maja, ed., 2004, Transnational Spaces: Disciplinary Perspectives. Imer: Malmö University.
Rabinow, Paul, 2003, Anthropos Today: Reflections on Modern Equipment. Princeton and Oxford: Princeton University Press.
Rabinow, Paul, 2008, Marking Time: On the Anthropology of the Contemporary. Princeton and Oxford: Princeton University Press.
Rabinow, Paul, et al., 2008, Designs for an Anthropology of the Contemporary. Durham and London: Duke University Press.
Radojević, Saša. 2001. ‘Uspon novokomponovane narodne muzike: Pesma iz stomaka naroda.’ In: Pesme iz stomaka naroda. Vladimir Đurić and Goran Tarlać, eds. Belgrade: Studentski kulturni centar, pp. 11-15.
Ramet, Petra Sabina, 1994, ‘Shake, Rattle and Self-management: Making the Scene in Yugoslavia.’ In: Rocking the State: Rock Music and Politics in Eastern Europe and Russia. Petra Sabina Ramet, ed. Boulder, CO: Westview, pp. 103-132.
Rapport, Nigel, and Andrew Dawson, eds., 1998, Migrants of Identity: Perceptions of Home in a World of Movement. Oxford: Berg.
Rasmussen, Ljerka, 2002, Newly Composed Folk Music of Yugoslavia. London and New York: Routledge.
Rihtman-Auguštin, Dunja, 1995a, ‘National Bias in Anthropology.’ In: Mediterranean Ethnological Summer School. Vol. 1. Borut Brumen and Zmago Šmitek, eds. Ljubljana: Slovensko etnološko društvo, pp. 97-103.
Rihtman-Auguštin, 1995b, ‘Victims and Heroes: Between Ethnic Values and Construction of Identity.’ Ethnologia Europea 25: 61-67.
Rihtman-Auguštin, Dunja, 1997, ‘Zašto i otkad se grozimo Balkana?’ Erasmus 19: 27-35.
Rihtman-Auguštin, Dunja, 2001, Etnologija i etnomit. Zagreb: Naklada Publica.
Rihtman-Auguštin, Dunja, and Jasna Čapo-Žmegač, eds., 2004, Ethnology, Myth and Politics: Anthropologizing Croatian Ethnology. Aldershot, Burlington: Ashgate.
Risteski, Ljupčo S., 2003, ‘Is the Macedonian Knot Becoming a »Dog’s Knot«?’ In: Mediterranean Ethnological Summer School 5, Piran/Pirano, Slovenia 2001 and 2002. Rajko Muršič and Irena Weber, eds. Ljubljana: Oddelek za etnologijo in kulturno antropologijo, pp. 151–77.
Rockefeller, Stuart Alexander, 2011, ‘Flow.’ Current Anthropology 52(4): 557-578.
Sassen, Saskia, 1998, Globalization and Its Discontents: Essays on the New Mobility of People and Money. New York: New Press.
Schwartz, Jonathan M., 1995, ‘The Petrified Forests of Symbols: Deconstructing and Envisioning Macedonia.’ Anthropological Journal on European Cultures 4(1): 9-23.
Selwyn, Tom, 2001, ‘Bosnia-Hercegovina, Tourists, Anthropologists.’ Anthropology Today 17(5): 1-2.
Sheller, Mimi, and John Urry, 2006, ‘The New Mobilities Paradigm.’ Environment and Planning 38: 207–226.
Silber, Laura, and Allan Little, 1995, The Death of Yugoslavia. London, New York: Penguin Books.
Silverman, Carol, 1996, ‘Music and Marginality: Roma (Gypsies) of Bulgaria and Macedonia.’ In: Retuning Culture: Musical Changes in Central and Eastern Europe. Mark Slobin, ed. Durham and London: Duke University Press, pp. 231-253.
Simić, Marina, 2007, ‘EXIT u Evropi: Popularna muzika i politika identiteta u savremenoj Srbiji.’ [Exit in Europe: Popular Music and Politics of Identity in Contemporary Serbia.] Kultura 116–117: 98–122.
Slobin, Mark, 1993, Subcultural Sounds: Micromusics of the West. Hanover, NH: Wesleyan University Press: University Press of New England.
Slobin, Mark, ed., 1996, Retuning Culture: Musical Changes in Central and Eastern Europe. Durham, N.C.; London: Duke University Press.
Sorabji, Cornelia, 2006, ‘Managing memories in postwar Sarajevo: Individuals, bad memories, and new wars.’ Journal of Royal Anthropological Institute (N.S.) 12: 1-18.
Stankovič. Peter, 2001, ‘Appropriating »Balkan«: Rock and Nationalism in Slovenia.’ Critical Sociology 27(3): 98-115.
Stanković, Peter, 2014, ‘Rustic obsessions: The role of Slovenian folk pop in the Slovenian national imaginary.’ International Journal of Cultural Studies published online January 21 2014: 1-16. Internet source: http://ics.sagepub.com/content/early/2014/01/19/1367877913515870.full.pdf+html
Stankovič, Peter, Tomc, Gregor in Velikonja, Mitja, ur., 1999, Urbana plemena: Subkulture v Sloveniji v devetdesetih. [Urban Tribes: Subcultures in Slovenia in the 1990s.] Ljubljana: ŠOU, Študentska založba.
St. John, Graham, 2009, Technomad: Global Raving Countercultures. London: Equinox.
Stolcke, Verena, 1995, ‘Talking Culture: New Boundaries, New Rhetorics of Exclusion in Europe.’ Current Anthropology 36(1): 1–24.
Sugarman, Jane C., 1997, Engendering song: Singing and Subjectivity at Prespa Albanian Weddings. Chicago and London: University of Chicago Press.
Svašek, Maruška, 2002, ‘The Politics of Emotions: Emotional Discourses and Displays in Post-Cold War Contexts.’ Focaal – European Journal of Anthropology 39: 9-27.
Šmitek, Zmago, and Aneta Svetieva, eds., 2005, Post-Yugoslav Lifeworlds between Tradition and Modernity. Ljubljana: Filozofska fakulteta.
Todorova, Maria, 1997, Imagining the Balkans. New York in Oxford: Oxford University Press.
Todorova, Maria, ed., 2004, Balkan Identities: Nation and Memory. London: Hurst.
Tomc, Gregor, 1989, Druga Slovenija. [The Other Slovenia.] Ljubljana: Univerzitetna konferenca ZSMS, Knjižnica revolucionarne teorije.
Van de Port, Matiijs, 1998, Gypsies, Wars and Other Instances of the Wild: Civilization and Its Discontents in a Serbian Town. Amsterdam: Amsterdam University Press.
Van de Port, Matiijs, 1999, ‘It takes a Serb to know a Serb.’ Critique of Anthropology 19(1): 7-31.
Velikonja, Mitja, 1998, Bosanski religijski mozaiki: Religije in nacionalne mitologije v zgodovini Bosne in Hercegovine. Ljubljana: Znanstveno in publicistično središče.
Velikonja, Mitja, 2002, ‘Ex-Home: Balkan Culture in Slovenia after 1991.’ In: The Balkans in Focus: Cultural Bounderies in Europe. Resic Sanimir and Törnquist-Plewa Barbara, eds. Lund: Nordic Academic Press, pp. 189-207.
Velikonja, Mitja, 2008, Titostalgija: Študija nostalgije po Josipu Brozu. [Titostalgia: Study of Nostalgia after Josip Broz.] Ljubljana: Mirovni inštitut.
Velikonja, Mitja, 2013, Rock’n’retro: Novi jugoslavizem v sodobni slovenski popularni glasbi. [Rock’n’Retro: New Yugoslavism in Contemporary Popular Music in Slovenia.] Ljubljana: Založba Sophia.
Verdery, Katherine, 1996, What was socialism, and what comes next? Princeton: Princeton University Press.
Vertovec, Steven, ed., 2010, Anthropology of Migration and Multiculturalism. New Directions. London, New York Routledge.
Vogrinc, Jože, 2000, ‘Globalising the Balkans, Balkanising the Global.’ In: Changing Sounds: New Directions and Configurations in Popular Music. Tony Mitchell, Peter Doyle and Bruce Johnson, eds. Sydney: Faculty of Humanities and Social Sciences, University of Technology, pp. 106-111.
Voigt, Lothar, 1988, ‘Der Punk im Alltag.’ In: Kulturkontakt – Kulturkonflikt: Zur Erfahrung des Fremden. Band 2. 26. Deutscher Volkskunde Kongreß in Frankfurt vom 28. September bis 2. Oktober 1987. Ina Maria Greverus, Konrad Köstlin in Heinz Schilling, eds. Notizen 28: 483-485.
Volcic, Zala, 2007, ‘Scenes from the Last Yugoslav Generation: The Long March from Yugo-Utopia to Nationalisms.’ Cultural Dynamics 19(1): 67-89.
Vrdoljak, Dražen, 2008, Moje brazde: Bilješke o hrvatskoj zabavnoj, pop i jazz glazbi. [My Grooves: Notes on Croatian Entertainment, Pop and Jazz Music.] Zagreb: V.B.Z.
Vuletić, Dean, 2008, ‘Generation Number One: Politics and Popular Music in Yugoslavia in the 1950s.’ Nationalities Papers 36(5): 861-879.
Vuletić, Dean, 2010, ‘European Sounds, Yugoslav Visions: Performing Yugoslavia at the Eurovision Song Contest.’ In: Remembering Utopia. Breda Luthar and Maruša Pušnik, eds. Washington: New Academia Publishing.
Williams, Raymond, 2005[1977], Navadna kultura: izbrani spisi [Ordinary Culture: Selected Writings]. Ljubljana: Studia Humanitatis.
Wolfe, Thomas C., 2000, ‘Cultures and Communities in the Anthropology of Eastern Europe and the Former Soviet Union.’ Annual Review of Anthropology 29: 195-216.
Wolff, Larry, 1994, Inventing Eastern Europe: The Map of Civilisation on the Mind of the Enlightment. Stanford University Press.
Yano, Christine Reiko, 2002, Tears of Longing: Nostalgia and the Nation in Japanese Popular Song. Cambridge: Harvard University Asia Center: Distributed by Harvard University Press.
Yuval-Davis, Nira, 1997, Gender and Nation. London: Sage Publications.
Zlatanović-Cvetković, Sanja, 1997, ‘Novokomponovana narodna muzika na liniji tradicionalno – savremeno.’ Glasnik Etnološkog instituta SANU 46: 167-172.
Žikić, Aleksandar, 1999, Fatalni ringišpil: Hronika beogradskog rokenrola 1959-1979 [Fatal Carrousel: Chronicle of Belgrade Rock ‘n’ Roll, 1959-1979]. Beograd: Geopoetika.
Žolt, Lazar, Aleksandra Višnjevac, and Anđelija Vučurević, 2004, ‘Aktuelno stanje omladinskih potkultura i publika Exit-a.’ [Current State of Youth Subcultures and Audience of the Exit Festival.] Teme 28(4): 361-380.
Trans-Yu-Formator 